LUTs are most commonly used in Affinity Photo, though individual LUT files can be used in Affinity Designer and Affinity Publisher. Other font formats are installed and managed using software included with your operating system or from a third party.Ī look-up table (LUT) is data that enables transformation of pixel colour values to change the aesthetic of images. New documents can be created from templates via your Affinity app’s New Document dialog (on desktop) or Home screen (on iPad).įonts are usually supplied in OpenType, TrueType or Affinity Font format.Īffinity Fonts are installed and managed directly in Affinity 2.0.4 or later. Like a regular document, each template can contain its own pages/artboards, text styles, assets, swatches palettes and other custom content. You can use raster brushes in Affinity Photo and in Affinity Designer’s Pixel Persona, but vector brushes work only in Affinity Designer, in its Designer Persona.Ĭheck the Affinity Store product page for your brushes to confirm whether they were made for Affinity Designer or Affinity Photo to determine where you’ll be able to use them.Īffinity Publisher 2’s StudioLink technology makes brushes installed into Affinity Designer 2 and Affinity Photo 2 available automatically in the app’s Designer Persona and Photo Persona.ĭocument templates are pre-made documents from which new documents can be created and then edited. ![]() They can be installed in all Affinity apps.īrushes created for Affinity come in two types: raster brushes and vector brushes. Adobe says that "this happens if you disable background processes for an app (in this case, it's Creative Cloud mobile), and the app hasn't been opened in a month." Basically, Adobe wants to make sure you're up-to-date on your subscription.Affinity supports several types of add-on.Īssets are stored design elements that can be added to any open document simply by dragging and dropping them from the Assets Panel. ![]() It does give you a display-only render of the typeface and asks if you want to substitute a system font. To reinstall them, open the app." Though the CC app will give you a list of fonts that have previously been installed on the iPad, you still have to reinstall them one at a time - there's no reinstall all - and there's no way to do it from within a document (in other words, if a font is displayed as missing, have a one-touch "install missing font" option). Every paste or import creates a new layer.Īnd when I returned after a while without using it (only a month), I was greeted with the message "Creative Cloud font authorization has expired. In fact, you can't replace the contents of a layer in any way, which adds to the file size problem unless you're constantly managing layers. Want to copy a mask from one layer to another? You can't just cut and paste it. And forget about creating a mask from a complex grayscale image. You can't fine tune automasking's sensitivity threshold for determining what constitutes a match, the same drawback that applies to the only other selection shortcut, select similar. But there's no feathering, antialiasing or refine controls for automask, and those other three 30-year-old tools only have feathering. It also has an automatic edge refinement option.Īt least on desktop, you've got tools to fix selections. Object Selection advances that a bit it's essentially Select Subject but allows you to define the area from which it should automatically extract. It's possible the defaults are different, or that it could result from computational constraints on mobile vs. It seems like the iPad version is more aggressive, with deeper antialiasing, color decontamination, feathering or something. ![]() While Select Subject makes the same decisions on both mobile and desktop - it should since it's using the same Adobe Sensei AI technology for it - the edges on each differ. The few errors on this one-click Select Subject mask are easily fixed, but it's also a big, clearly delineated subject on a simple background.
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